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Yes, the tone of the film goes into the noir space, and we get to see a decidedly young Caped Crusader brandishing out his particularly gruesome brand of justice in the released promos, but that does not mean the filmmaker was pushing for R rating. In fact, while speaking to Den of Geek, the director said that he always wanted a PG-13 rating of the film in theatres, “In my mind, the movie was always going to be a gritty, edgy, noir, thrilling spectacle that was PG-13. The promotional materials that you’re seeing, they’re fully reflective of the tone of the movie.”
The decline reflects a global crisis related to modern environment and lifestyle, with broad implications for the survival of the human species, they said.
Meteorites are striking gold among collectors, with a dilapidated dog house that survived a hit from outer space expected to fetch up to $300,000 at a Christie’s auction, and a chunk of Mars going for as much as $800,000.Bids are soaring for lots in “Deep Impact: Martian, Lunar and other Rare Meteorites” at a time when space is the limit, with the launch of SpaceX, the world’s first all-private spacecrew, and “Don’t Look Up,” the Oscar-nominated film about a comet speeding toward Earth.
Despite receiving positive reviews, Vidya Balan and Pratik Gandhi’s Do Aur Do Pyaar had a modest start at the box office. However, there was a slight improvement in its collections on its second day, with earnings reaching Rs 85 lakh on Saturday, as reported by trade tracker Sacnilk. This brings the film’s total domestic collection to Rs 1.40 crore.
It is worth noting that Kriti Sanon recently squashed rumors about her dating Prabhas. In her Instagram story, she wrote, “It’s neither pyaar (love), nor PR.. our Bhediya just went a little too wild on a reality show. And his fun banter lead to some Howl-arious rumours (woman facepalming emoji).”
Talking to Film Companion, Sobhita shared that when Anurag told her that they are going to Cannes, she had to start reading up about the event’s legacy to educate herself. “I had only known the red carpet pictures in papers, the glamour and all of that. I had no insight into the actual world of cinema. I didn’t have access to it.”
“I don’t think moving on is about trying to hide away what you have loved,” Babil mused in his post, setting the tone for a deeper exploration of the process. He continued, “In reality, you never really move on from the people that you have loved. They become a part of your life and the sails that catch the winds that make you who you are.”
The company in a late Monday blog post did not specify who executed the configuration change and whether it was planned.