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Director Payal Kapadia’s groundbreaking Grand Prix win at Cannes 2024 for her women-led debut feature All We Imagine As Light — a recognition India has been bestowed upon after 30 years — has taken social media by storm. From filmmakers to actors, Indians have congratulated her for this monumental win at the 77th edition of the prestigious film festival. However, a congratulatory message from her alma mater, the Film and Television Institute of India (FTII), which once took disciplinary action against her while she was still a student, on X (formerly Twitter), has raised many eyebrows. Actor Ali Fazal and sound designer Resul Pookutty took to social media to question FTII’s role in Payal’s success, calling the institute’s message a ‘hypocrisy.’ When FTII’s tweet described her win as a ‘moment of pride,’ Ali reposted the message with the sarcastic caption, ‘Uhhh… please don’t. Just don’t (sic).”
Hema Malini, the ‘Dream Girl’ herself, graced the occasion in a resplendent silk Kanjeevaram sari that exuded timeless elegance. Her aubergine-toned sari, adorned with a golden border, was a sight to behold. Alongside her, daughter Esha Deol shimmered in a cream drape, paired with a half-sleeve sequinned blouse. Hema adorned herself with golden jewellery, while Esha opted for a pearl necklace. With their flawless makeup and neatly tied buns, they were the epitome of grace and beauty.
Twitter Inc said it has implemented a security technology that makes it harder to spy on its users and called on other Internet firms to do the same,as Web providers look to thwart spying by government intelligence agencies.
— Microsoft (@Microsoft) May 17, 2024
Sikri graduated from NSD in 1971. Later she worked with the NSD Repertory Company for more than a decade before she finally moved to Mumbai.
Kesariya is acknowledged as one of the most successful collaborations among Pritam, Amitabh Bhattacharya, and Arijit Singh. With this milestone, the song has undoubtedly been crowned to be the biggest hit in the careers of these maestro’s till date.
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Madhuri Dixit redefined the Bollywood actress — she could be both sensual and coy in the same film, played the vengeful widow and melted the screen with her million-dollar smile. Even in the ‘80s, she didn’t fear kissing a much older actor (Vinod Khanna in Dayavan) on-screen, creating an uproar, nor did the idea of looking into the eye of her mother-in-law and defying her (Beta), in the ‘90s, ever make her uncomfortable. Madhuri Dixit Nene was more than just the ‘Dhak Dhak girl’ — the moniker in itself meant she was desired by the whole nation even as producers were willing to put money on her — the versatility in her roles, and her choices of ground-breaking scripts, which can be called ‘bold’ in the late ‘80s and the ‘90s, makes her an actor ahead of time, who managed to break the mould of the conventional heroine, despite her commercial success and gaudy, loud costumes.