best slots in usThe streamer on Monday shared four pictures from the set of Maestro on social media which trace the life of a young Bernstein (Cooper) with his wife Felicia (Carey Mulligan).Microsoft announced two new laptops on Monday, just a day ahead of its Build 2024 developer conference. The new Surface Laptop and Surface Pro are powered by Snapdragon X Elite or the X Plus ARM processor, and these are the company’s first set of personal computers shipping with the Copilot+ feature.Snap has announced support for five more Indian languages including Bengali, Kannada, Malayalam, Tamil and Telugu. The support for these languages will roll out over the coming weeks, the company said in a press release. Snap already supports Hindi, Marathi, Gujarati and Punjabi languages on the platform. |
best slots in usJust after Microsoft announced its first set of Copilot+ PCs, powered by the Snapdragon X Elite/Plus processor, Intel has teased its Lunar Lake client processors said to power the AI personal computers starting from the third quarter of 2024, with over 80 designs from over 20 original equipment manufacturers.Explaining the plot of the movie, Fahadh Faasil said, “The character’s name is Anil. He is an electronic mechanic. So he usually works early in the morning around 3 am. So our movie begins with a baby being born in the house adjacent to his house. The baby and the mother arrive home. That’s where the movie begins. The main conflict is that Anil works in the morning and that’s when the baby starts crying too. And so his work gets disturbed. His sleep gets disturbed. His whole timetable goes for a toss. Eventually, he gets angry and just wants to get rid of the baby. That’s the point at which a landslide happens and in there, the only thing he can hear is the baby crying. That sound that he hated the most turns into his saviour.”Pearls are clutched, bodies alternately defiled and venerated; in one memorable scene, there is a literal ‘pardafaash’. A curtain is pulled to reveal a character swivelling menacingly on a chair, wearing dark glasses and smoking a cigarette, instantly revealing herself to be a double agent of sorts. Heeramandi is filled with unintentionally funny moments like this; moments and scenes straight out of a pulp potboiler that you’d purchase on a railway platform, or a film from the 1980s that you would tut-tut at. But plonked in the year 2024, devoid of any self-awareness or genre thrills — this is exploitation cinema, but Bhansali doesn’t realise it — Heeramandi can’t help but feel archaic. And no single scene captures the show’s outdated sensibilities more accurately than that outrageous one in episode seven.